SONAGI PROJECT: March 2010

profile

Sonagi Project is a Korean percussion ensemble that draws from traditional sources to create new, dynamic Korean music. Founded in 2006 by current artistic director Chang Jae Hyo, the group performs on traditional Korean percussion instruments, with a special focus on the janggu, the horizontal double-headed drum that has been integral to many genres of Korean music throughout its long history. Other instruments include the ggwaengwari (small gong), jing(medium-sized gong), and dungbuk(modified barrel drum). The group breathes new life into Korea’s traditional drumming as it brings these instruments into the twenty-first century, performing traditionally-based yet original repertoire for contemporary
audiences, both domestically and abroad.

Sonagi Project creates music informed by various traditional genres. Influences include pungmul gut (farmers’ percussion band ritual), samulnori (modern percussion quartet), and pansori (traditional vocal art of storytelling)—genres that have roots in Korea’s indigenous shamanic culture; the group also incorporates jeontong minyo (traditional folk songs) as well as elements of Buddhist music. In building on traditional forms to give their music a contemporary sensibility, Sonagi Project takes liberties with certain techniques and rhythms, and at times embraces outside sources. Indeed, some of their original works contain African and Brazilian influences. Yet their music preserves the sentiment, emotion, and spirit of Korean tradition.

The group is currently based in Seoul, South Korea, and has performed in North America, South America, Europe and East Asia, to popular and critical acclaim. They are a leader of Korean music among a new generation of artists and performers that continue to engage in cultural exchange, and are a vibrant force in the world music scene that now flourishes around the globe.

March 10, 2010

PERFORMANCES

After a winter of practice and performance renewal, with spring has come the time to move.
Sonagi Project will represent Korea and the city of Seoul at SHANGHAI EXPO.
Then go back to its "second-home" in Toyama, Japan for performances and workshops.

9th APR

SangSangMaDang live hall, Seoul (08:00 PM)
Sonagi project 打生打死! jang-go ensemble 2010 link (in Korean)

4th MAY

Sejong Center for the Performing Arts, Seoul (12:20 PM)
Jang-go ensemble

16~19th JUN

Shanghai, CHINA - 2010 SHANGHAI EXPO
Sonagi project Band (9 members special unit)

17th JUN

Shanghai, CHINA - 2010 SHANGHAI EXPO
Sonagi Project show-case with Seoul Metropolitan Dance Theater

18th JUN

Shanghai, CHINA - 2010 SHANGHAI EXPO
Sonagi Project Performance for "Seoul Day"

20th ~ 30th JUN

Performance and workshop week in Japan
Toyama pref. Nanto-City Toga Village "Sukiyaki Caravan"
workshop for "SUKIYAKI MEETS THE WORLD" Festival

STORY

Korean Music: Carrying the LegacyKorean music possesses a dynamic tradition of drumming that is notable amongst its East Asian neighbors. These rhythms, which are an integral part of the music, stem from a long history of shamanism on the peninsula. The shaman was a figure who linked the human world with the world of the gods; as magician, healer, and poet, she conducted rituals in which the sound of the drums served as a vector between these two universes. The songs of the shaman were an important and useful part of folk life in pre-modern Korea, becoming a basis for other art forms, such as pansori, which relayed through its epic narratives, stories of human drama by means of song, chant, and gesture.Much of Korea’s ritual and traditional music was affected by the tumultuous events of Korea’s modern history, which included colonization by the Japanese, civil war, and a military regime in the south. However, recent decades have seen a resurgence of interest in the music of the past. One prominent development was the emergence of samulnori, a modern drumming genre that took its cues from the rhythms of past rituals. While reacquainting itself with the sounds of the past, South Korea has also begun to open up to other traditions and musics of the world. The Sonagi Project thrives in this context,with original music that is built on the past layers of shaman music, pansori, pungmul music, and samulnori, while absorbing the various cultural currents of today.From the Korean word sonagi for “rain shower,” the group’s name underscores their focus on the janggu, an instrument commonly thought to symbolize rain. It speaks also to the group’s respect for nature; rain being integral to the cycle of life, as it feeds the rivers, nourishes the earth, and creates fertility, allowing for cultivation and continuation. Extending the janggu’s past role in linking the known and unknown through ritual, Sonagi Project’s music connects various domains. The group strives to make music with traditional value and contemporary meaning—music that serves as a link between the digital lifestyle of contemporary Korea with ancient landscapes where rice paddies shaped dailylife; between a new Korea proud of its roots and the wealth of the world’s cultures.